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Out Of BOUNDS

Out Of BOUNDS

Out Of BOUNDS

Out Of BOUNDS

Out Of BOUNDS

In collaboration with HypeClub, we created one of our most satisfying sets to date. Inspired by concepts from concert productions, fashion runway, projection based art installations, and experiential sport activations we created large scale build including 60 ft LED screens, water screen projections, a 100 ft olympic sized all black pool, and full 360 view of custom visuals.

In collaboration with HypeClub, we created one of our most satisfying sets to date. Inspired by concepts from concert productions, fashion runway, projection based art installations, and experiential sport activations we created large scale build including 60 ft LED screens, water screen projections, a 100 ft olympic sized all black pool, and full 360 view of custom visuals.

In collaboration with HypeClub, we created one of our most satisfying sets to date. Inspired by concepts from concert productions, fashion runway, projection based art installations, and experiential sport activations we created large scale build including 60 ft LED screens, water screen projections, a 100 ft olympic sized all black pool, and full 360 view of custom visuals.

In collaboration with HypeClub, we created one of our most satisfying sets to date. Inspired by concepts from concert productions, fashion runway, projection based art installations, and experiential sport activations we created large scale build including 60 ft LED screens, water screen projections, a 100 ft olympic sized all black pool, and full 360 view of custom visuals.

Task: Be bold in the face of adversity.

Themed around water, reflections, earth elements, video projection technology, and golf create another dimension filled with diverse challenges for the Audemars Piguet golf ambassadors.

Task: Be bold in the face of adversity.

Themed around water, reflections, earth elements, video projection technology, and golf create another dimension filled with diverse challenges for the Audemars Piguet golf ambassadors.

Task: Be bold in the face of adversity.

Themed around water, reflections, earth elements, video projection technology, and golf create another dimension filled with diverse challenges for the Audemars Piguet golf ambassadors.

Task: Be bold in the face of adversity.

Themed around water, reflections, earth elements, video projection technology, and golf create another dimension filled with diverse challenges for the Audemars Piguet golf ambassadors.

20210621_AP_MASTERING_THE_ELEMENTS_ANGELO_02_SOFT_CLOUD_BRANDEN_HENRIK_LEE_WILCO_0492_V1G
20210621_AP_MASTERING_THE_ELEMENTS_ANGELO_06_NEON_DOOR_BRANDEN_HENRIK_LEE_WILCO_0165_V1G
20210621_AP_MASTERING_THE_ELEMENTS_ANGELO_11_FIRE_IAN_TYRRELL_MATT_ABRAHAM_0624_V1G
20210621_AP_MASTERING_THE_ELEMENTS_ANGELO_11_FIRE_IAN_TYRRELL_MATT_ABRAHAM_0719_V1G (1)
20210621_AP_MASTERING_THE_ELEMENTS_ANGELO_15_DETAILS_MISC_0046_V1G

The story line had AP ambassadors challenged by various extreme weather elements found in the game of golf. These elements included wind, water, and heat, but set in villainous character forms of crashing waves, water cyclones, fire cyclones and giant sink holes. This build was 4 months of pre-production, creating the visuals, mapping, and construction all to capture necessary shots within a 4 hour time frame.

The story line had AP ambassadors challenged by various extreme weather elements found in the game of golf. These elements included wind, water, and heat, but set in villainous character forms of crashing waves, water cyclones, fire cyclones and giant sink holes. This build was 4 months of pre-production, creating the visuals, mapping, and construction all to capture necessary shots within a 4 hour time frame.

The story line had AP ambassadors challenged by various extreme weather elements found in the game of golf. These elements included wind, water, and heat, but set in villainous character forms of crashing waves, water cyclones, fire cyclones and giant sink holes. This build was 4 months of pre-production, creating the visuals, mapping, and construction all to capture necessary shots within a 4 hour time frame.

The story line had AP ambassadors challenged by various extreme weather elements found in the game of golf. These elements included wind, water, and heat, but set in villainous character forms of crashing waves, water cyclones, fire cyclones and giant sink holes. This build was 4 months of pre-production, creating the visuals, mapping, and construction all to capture necessary shots within a 4 hour time frame.

The story line had AP ambassadors challenged by various extreme weather elements found in the game of golf. These elements included wind, water, and heat, but set in villainous character forms of crashing waves, water cyclones, fire cyclones and giant sink holes. This build was 4 months of pre-production, creating the visuals, mapping, and construction all to capture necessary shots within a 4 hour time frame.

Credits || Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Director Video: Wyatt Seaverns - Joy Punch | DP: Bryant Swanstrom | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Set Design/Build: Brian Reguly | Visuals: Ivan Ceron - 4017III Studios | Photography - Koury Angelo

Credits || Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Director Video: Wyatt Seaverns - Joy Punch | DP: Bryant Swanstrom | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Set Design/Build: Brian Reguly | Visuals: Ivan Ceron - 4017III Studios | Photography - Koury Angelo

Credits || Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Director Video: Wyatt Seaverns - Joy Punch | DP: Bryant Swanstrom | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Set Design/Build: Brian Reguly | Visuals: Ivan Ceron - 4017III Studios | Photography - Koury Angelo

Credits || Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Director Video: Wyatt Seaverns - Joy Punch | DP: Bryant Swanstrom | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Set Design/Build: Brian Reguly | Visuals: Ivan Ceron - 4017III Studios | Photography - Koury Angelo

Credits || Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Director Video: Wyatt Seaverns - Joy Punch | DP: Bryant Swanstrom | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Set Design/Build: Brian Reguly | Visuals: Ivan Ceron - 4017III Studios | Photography - Koury Angelo

Green Locker ROOM

Green Locker ROOM 

Green Locker ROOM 

Green Locker ROOM

Green Locker ROOM

20201116_AUDEMARS_PIGUET_GREEN_GROUP_SHOT_0191_FUN
20201116_AUDEMARS_PIGUET_GREEN_GOLF_HENRIK_STENSON_0088_V1G1
20201116_AUDEMARS_PIGUET_GREEN_GOLF_IAN_POULTER_0065_V1G
20201116_AUDEMARS_PIGUET_GREEN_CASUAL_MATT_WALLACE_0011_V1G1
20201116_AUDEMARS_PIGUET_GREEN_GOLF_HENRIK_STENSON_0053_V1G1

In Collaboration with Hype Club we created a monochromatic green locker room. The set was designed by Cult’s Chief Creative Officer Chris Alba and built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors  following the Monday The Masters.

Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Koury Angelo

In Collaboration with Hype Club we created a monochromatic green locker room. The set was designed by Cult’s Chief Creative Officer Chris Alba and built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors  following the Monday The Masters.

Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Koury Angelo

In Collaboration with Hype Club we created a monochromatic green locker room. The set was designed by Cult’s Chief Creative Officer Chris Alba and built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors  following the Monday The Masters.

Credits || Client: Audemars Piguet Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Koury Angelo

In Collaboration with Hype Club we created a monochromatic green locker room. The set was designed by Cult’s Chief Creative Officer Chris Alba and built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors  following the Monday The Masters.

Credits || Client: Audemars Piguet Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Koury Angelo

In Collaboration with Hype Club we created a monochromatic green locker room. The set was designed by Cult’s Chief Creative Officer Chris Alba and built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors  following the Monday The Masters.

Credits || Client: Audemars Piguet Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Koury Angelo

MIRRORS

Green Locker ROOM 

Green Locker ROOM 

Green Locker ROOM

MIRROR

20201116_AUDEMARS_PIGUET_MIRROR_ABRAHAM_ANCER_0065_V2G
20201116_AUDEMARS_PIGUET_MIRROR_BERND_WIESBERGER_0153_V2G1
20201116_AUDEMARS_PIGUET_MIRROR_DANNY_WILLETT_0057_V1G
20201116_AUDEMARS_PIGUET_MIRROR_DANNY_WILLETT_0110_V1G
20201116_AUDEMARS_PIGUET_MIRROR_HENRIK_STENSON_0104_V1G1
20201116_AUDEMARS_PIGUET_MIRROR_HENRIK_STENSON_0113_V1G
20201116_AUDEMARS_PIGUET_MIRROR_TYRRELL_HATTON_0115_V3G

In Collaboration with Hype Club and inspired by the photograph of Walter Looss Jr. we created a large scale infinity mirror box. The set was designed by Cult’s Chief Creative Officer Chris Alba and photographer Koury Angelo and was built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors  following the Monday The Masters. The first version of this design was created using 6” mini mirrors and a storm trooper action figure.

Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Lance Skundrich

In Collaboration with Hype Club and inspired by the photograph of Walter Looss Jr. we created a large scale infinity mirror box. The set was designed by Cult’s Chief Creative Officer Chris Alba and photographer Koury Angelo and was built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors  following the Monday The Masters. The first version of this design was created using 6” mini mirrors and a storm trooper action figure.

Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Lance Skundrich

In Collaboration with Hype Club and inspired by the photograph of Walter Looss Jr. we created a large scale infinity mirror box. The set was designed by Cult’s Chief Creative Officer Chris Alba and photographer Koury Angelo and was built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors  following the Monday The Masters. The first version of this design was created using 6” mini mirrors and a storm trooper action figure.

Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Lance Skundrich

In Collaboration with Hype Club and inspired by the photograph of Walter Looss Jr. we created a large scale infinity mirror box. The set was designed by Cult’s Chief Creative Officer Chris Alba and photographer Koury Angelo and was built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors  following the Monday The Masters. The first version of this design was created using 6” mini mirrors and a storm trooper action figure.

Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Lance Skundrich

In Collaboration with Hype Club and inspired by the photograph of Walter Looss Jr. we created a large scale infinity mirror box. The set was designed by Cult’s Chief Creative Officer Chris Alba and photographer Koury Angelo and was built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors  following the Monday The Masters. The first version of this design was created using 6” mini mirrors and a storm trooper action figure.

Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold  - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Lance Skundrich