Out Of BOUNDS
Out Of BOUNDS
Out Of BOUNDS
Out Of BOUNDS
Out Of BOUNDS
The story line had AP ambassadors challenged by various extreme weather elements found in the game of golf. These elements included wind, water, and heat, but set in villainous character forms of crashing waves, water cyclones, fire cyclones and giant sink holes. This build was 4 months of pre-production, creating the visuals, mapping, and construction all to capture necessary shots within a 4 hour time frame.
The story line had AP ambassadors challenged by various extreme weather elements found in the game of golf. These elements included wind, water, and heat, but set in villainous character forms of crashing waves, water cyclones, fire cyclones and giant sink holes. This build was 4 months of pre-production, creating the visuals, mapping, and construction all to capture necessary shots within a 4 hour time frame.
The story line had AP ambassadors challenged by various extreme weather elements found in the game of golf. These elements included wind, water, and heat, but set in villainous character forms of crashing waves, water cyclones, fire cyclones and giant sink holes. This build was 4 months of pre-production, creating the visuals, mapping, and construction all to capture necessary shots within a 4 hour time frame.
The story line had AP ambassadors challenged by various extreme weather elements found in the game of golf. These elements included wind, water, and heat, but set in villainous character forms of crashing waves, water cyclones, fire cyclones and giant sink holes. This build was 4 months of pre-production, creating the visuals, mapping, and construction all to capture necessary shots within a 4 hour time frame.
The story line had AP ambassadors challenged by various extreme weather elements found in the game of golf. These elements included wind, water, and heat, but set in villainous character forms of crashing waves, water cyclones, fire cyclones and giant sink holes. This build was 4 months of pre-production, creating the visuals, mapping, and construction all to capture necessary shots within a 4 hour time frame.
Credits || Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Director Video: Wyatt Seaverns - Joy Punch | DP: Bryant Swanstrom | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Set Design/Build: Brian Reguly | Visuals: Ivan Ceron - 4017III Studios | Photography - Koury Angelo
Credits || Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Director Video: Wyatt Seaverns - Joy Punch | DP: Bryant Swanstrom | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Set Design/Build: Brian Reguly | Visuals: Ivan Ceron - 4017III Studios | Photography - Koury Angelo
Credits || Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Director Video: Wyatt Seaverns - Joy Punch | DP: Bryant Swanstrom | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Set Design/Build: Brian Reguly | Visuals: Ivan Ceron - 4017III Studios | Photography - Koury Angelo
Credits || Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Director Video: Wyatt Seaverns - Joy Punch | DP: Bryant Swanstrom | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Set Design/Build: Brian Reguly | Visuals: Ivan Ceron - 4017III Studios | Photography - Koury Angelo
Credits || Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Director Video: Wyatt Seaverns - Joy Punch | DP: Bryant Swanstrom | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Set Design/Build: Brian Reguly | Visuals: Ivan Ceron - 4017III Studios | Photography - Koury Angelo
Green Locker ROOM
Green Locker ROOM
Green Locker ROOM
Green Locker ROOM
Green Locker ROOM
In Collaboration with Hype Club we created a monochromatic green locker room. The set was designed by Cult’s Chief Creative Officer Chris Alba and built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors following the Monday The Masters.
Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Koury Angelo
In Collaboration with Hype Club we created a monochromatic green locker room. The set was designed by Cult’s Chief Creative Officer Chris Alba and built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors following the Monday The Masters.
Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Koury Angelo
In Collaboration with Hype Club we created a monochromatic green locker room. The set was designed by Cult’s Chief Creative Officer Chris Alba and built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors following the Monday The Masters.
Credits || Client: Audemars Piguet Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Koury Angelo
In Collaboration with Hype Club we created a monochromatic green locker room. The set was designed by Cult’s Chief Creative Officer Chris Alba and built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors following the Monday The Masters.
Credits || Client: Audemars Piguet Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Koury Angelo
In Collaboration with Hype Club we created a monochromatic green locker room. The set was designed by Cult’s Chief Creative Officer Chris Alba and built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors following the Monday The Masters.
Credits || Client: Audemars Piguet Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Koury Angelo
MIRRORS
Green Locker ROOM
Green Locker ROOM
Green Locker ROOM
MIRROR
In Collaboration with Hype Club and inspired by the photograph of Walter Looss Jr. we created a large scale infinity mirror box. The set was designed by Cult’s Chief Creative Officer Chris Alba and photographer Koury Angelo and was built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors following the Monday The Masters. The first version of this design was created using 6” mini mirrors and a storm trooper action figure.
Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Lance Skundrich
In Collaboration with Hype Club and inspired by the photograph of Walter Looss Jr. we created a large scale infinity mirror box. The set was designed by Cult’s Chief Creative Officer Chris Alba and photographer Koury Angelo and was built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors following the Monday The Masters. The first version of this design was created using 6” mini mirrors and a storm trooper action figure.
Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Lance Skundrich
In Collaboration with Hype Club and inspired by the photograph of Walter Looss Jr. we created a large scale infinity mirror box. The set was designed by Cult’s Chief Creative Officer Chris Alba and photographer Koury Angelo and was built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors following the Monday The Masters. The first version of this design was created using 6” mini mirrors and a storm trooper action figure.
Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Lance Skundrich
In Collaboration with Hype Club and inspired by the photograph of Walter Looss Jr. we created a large scale infinity mirror box. The set was designed by Cult’s Chief Creative Officer Chris Alba and photographer Koury Angelo and was built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors following the Monday The Masters. The first version of this design was created using 6” mini mirrors and a storm trooper action figure.
Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Lance Skundrich
In Collaboration with Hype Club and inspired by the photograph of Walter Looss Jr. we created a large scale infinity mirror box. The set was designed by Cult’s Chief Creative Officer Chris Alba and photographer Koury Angelo and was built at a studio in Los Angeles. The set was then trucked to Georgia where it would be shot with all Audemars Piguet ambassadors following the Monday The Masters. The first version of this design was created using 6” mini mirrors and a storm trooper action figure.
Credits // Client: Audemars Piguet | Agency: Hype Club | Director : Josh Sullivan - Hype Club | Creative Director: Chris Alba - The Cult Creatives | Producer: EJ Collins - Hype Club | Producer: Laurie Bergthold - Hype Club | Set Design/Build: Mark Helf - Red Wagon | Photography - Lance Skundrich
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